Mrs. Phillips was running a Convalescent Home in Folkestone, he told her; and had even made a speech. Hilda was doing relief work among the ruined villages of France. “Who is the true soldier? He who has put away self. His own ease and comfort, even his own needs, his own safety: they are but as a feather in the balance when weighed against his love for his comrades, for his country. The true soldier is not afraid to love. He gives his life for his friend. Do you jeer at him? Do you say he is a fool for his pains? No, it is his honour, his glory.”!

She felt that he was watching her through his half-closed eyes. “There are those cottages,” he continued, “just before you come to the bridge. They might be repaired and a club house added. The idea is catching on, they tell me. Garden villages, they call them now. It gets the men and women away from the dirty streets; and gives the children a chance.” Miss Ensor gave a gesture of despair and applied herself to her pie. The hirsute face of Mr. Simson had lost the foolish aggressiveness that had irritated Joan. He seemed to be pondering matters.

“Wouldn’t that train of argument lead to nobody ever doing anything?” suggested Joan. “His sufferings!” he interrupted. “Does suffering entitle a man to be regarded as divine? If so, so also am I a God. Look at me!” He stretched out his long, thin arms with their claw-like hands, thrusting forward his great savage head that the bony, wizened throat seemed hardly strong enough to bear. “Wealth, honour, happiness: I had them once. I had wife, children and a home. Now I creep an outcast, keeping to the shadows, and the children in the street throw stones at me. Thirty years I have starved that I might preach. They shut me in their prisons, they hound me into garrets. They jibe at me and mock me, but they cannot silence me. What of my life? Am I divine?” The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.